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最不喜歡的就是神經病。法國電影，就是很討厭又很迷人

4.5; Never before have I seen a zombie film with so many layers. The symbolic meaning of the infection is announced from the very beginning through footage and words to be 'rage', and the violence induced by it henceforward becomes the centre of the film's criticism. But what adds to the film's complexity is the fact that the protagonist is empowered only by rage to fight for those he loves and defeat the purposeless soldiers, who by contrast fight for nothing but themselves. The film thus indicates a place for violence in humanity and hints that violence is not inherently the abject. It also draws a comparison between two archetypes of fatherhood: permissive & autocratic

“李小璋的下場，正好警惕一些抄小路走捷徑，不肯腳踏實地的人作為借鏡。” 幹嘛加這麽一句話？

二戰片拍的多了 難免一個路數 這部片子的視角不錯。

[3.5/5.0] 拍這片珍寶金想到《功夫大師》的故事，兩人就先去拍《功夫大師》了。