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這算是比較古早的合拍片了，在劇作上其實很有野心，韋青即是在扮演羅密歐，也是在模仿宋丹平，這樣就形成了一個三重互文的關係。但電影沾染了太多大陸的文藝腔調，絲毫沒有90年代香港電影的活力。

果然是經典，太寫實了。不同於現在的警匪片，本片的現實感極強，人物刻畫鮮明。

I like it. I just like it. A pure feminist film that all females turn out to be valuable and adorable, and so great that Paulette gets a daughter rather than son, and Warner loses literally everything. Terrific. I like the idea that we applause female power without denying the current female natures, such as woeing for men and celebrating physical beauty. Those who enjoy Forrest Gump should enjoy this female version too. PS The domestic female works usually focus on women's trouble rather than women's power, which is a HUGE problem.

一位女演員的演技撐起了電影驚悚的全部。凱西·貝茨在《危情十日》中時而正常，時而瘋癲的表演，將女主的孤獨、偏執且暴躁的情緒給予了教科書級的呈現，給觀眾帶來了仿若身曆其境般的驚悚，奧斯卡影後桂冠實至名歸，這人世間鬼不可怕,可怕的是人。

very representative and very impressive