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還是達琳狠，懷亞特不想再努力，兩口子也是越來越上路。魯思真的慘。

One might dispute how real, or how artificial this film really is (indeed, that's what the directors themselves explicitly examined in the film), but there is no denying that this is one of the greatest, and most self-reflexive experiments in cinema history. By allowing the interlocutors to dictate where they want to take the conversation, Rouch & Morin created a moving poetry in motion.

這孩子，幹什麽都喜歡幹一半兒。還是好色先生TVAPP小時候的動畫片有教育意義。

電影拍不到川端康成的美

jason真的太可愛了