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王小川那期 極少數人在進化 極大多數人在退化

十年前我堅持看完了緋聞女孩，三年前我堅持看完了權遊，這次我決定不重蹈覆轍，學會及時叫停。斯刀嗷嗷嗷嗷嗷普呃～～～

這個主觀視角帶入太多了吧

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

在凝視或睡夢之下，影像悄然回歸其本質。自然的神跡在感光元件中形成並再度成為運動影像之神跡。生命與土地與自然萬物相依互照，一切有如上帝的歎息。這樣的影像在當下的浮躁時代實在難得，人文地理影像。