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上承John Waters、Mommie Dearest，下啟Tangerine！崩壞版All About Eve，是攀上枝頭（夢想是欸欸欸脫衣舞巨星？！）的美國夢追尋與醒悟，也是對異性戀霸權的一記高跟靴迴旋踢（！）與放肆的情慾溢散僭越。火花激射，性致高昂，浮誇俗氣而有力，就是聚焦在指甲、翹臀、假睫毛、薯片、油滋滋漢堡——這類「垃圾」元素，恐怕也真的是異男編劇刻板想像之集成——怎樣不行膩（又一女體剝削或情慾自主不好斷言之案例），不管是舞步或行動，都充斥性的洶湧（Gina Gershon說她是用一種drag queen的演法），不被時代輕易認可的能量。而且單就場麵調度能力，又比前述上承下啟之作更棒。Paul Verhoeven真的去領金酸莓獎！笑死。

大失所望，高開低走的典範。主線支線劇情都亂七八糟，整體節奏緩慢，大量閃回和倒序讓人很難理清故事線，話說是和攻殼機動隊&銀翼殺手租的同一個影視城嗎，雨夜吃路邊攤=賽博朋克風，導演是不是對賽博朋克風有什麽誤解…

Not a satire, certainly not a shitshow either, just an honest representation of how corruptive and exploitative the industry is. Its extensive, unreserved use of nudity and sexual scenes doesn't stop at being scandalous but go past it to urge the audience to avert their gaze. Showing something is not equal to being something - it can be the exact opposite. Showgirls accomplished this simply by being honest - no preaching, no evasions - the way it's handled is so succinct and effortless it's marvelous to see. And the fact that the leading actress was subsequently dropped by her agent and rejected by others - isn't that the most powerful and ironic vindication of how true the film actually is?

湯淺全話分鏡，小日本自己的愛國主義動漫兒

童顏巨乳女主角，導演技法還是太生疏了。