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挺輕鬆有趣的，也沒有刻意去抹黑曹縣。

Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385

在我給《鈦》打一星的時候，真沒想到還有比鈦還差的影片，浪費了這麽多好演員……

意識形態學派，電影批評，女性主義研究解讀。

還可以挺歡樂的，合格的喜劇片，中規中矩