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天才雷普利的故事在巴裏·佩珀的演繹下顯得更加生動。馬特達蒙的版本顯得更加沉重，偏向犯罪懸疑，而這一部顯得更加俏皮，雖然仍有犯罪，但偏重於表現雷普利的機敏狡猾。巴裏·佩珀和威廉·達福真的是很有個性的演員，怎奈大片裏他們總是演配角，演主角的電影又比較小眾，沒怎麽紅過，真可惜。

人魚戀的故事，說實話題材新意不大。但氣氛暗黑又迷人，充滿著迷幻氣息。音樂是獨一無二的解藥，治愈他們的孤獨。邊緣人群，被這個世界的冷漠所傷，卻依然相信愛。冷戰版《剪刀手愛德華》，暗黑版《美女與野獸》。托羅導演掌控力十足，全片氛圍到位，從環太平洋就讓人為他的才華心折。

「Extraordinary stories inspired by ordinary women.」「For a moment, the rabbit did not know if she had the courage to say what she wanted to say. But, somewhere, there was a voice saying,"Do it. If you dare. Think of all the other timid rabbits, who could not be so brave."」「They thought AIDS was just for gays. But it weren't. And even if it were, we are all human, you understand me?」「I hope that our sisters will no longer nurse the view that they are weak.」「We will be making history. Finally. By just living. And you will not stop us any more.」

8.5，技法派，嫻熟電影敘事技巧、運鏡、布景幾乎可以忽略情節設定的老套和人物情感鋪墊的硬傷，就我個人我喜愛水形大於三廣，兩顆孤獨靈魂的心靈對話，殘酷世界淒美的暗黑童話

別惹寡婦。按照正能量的想象是喪夫單親媽媽獨自撫養兩個年幼的小孩，大家應該會同情吧，實際情況是人善被人欺，越可憐越欺負你。最後女主血洗黑幫老巢的時候真的很帥啊，不過碎d犯的段落有點嚇人