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本身遍布傷痕的人，試圖能得到宗教的庇護，但發現其實溫暖不了這個世界、也拯救不了自己。前段功力十足，但後半段劇情發展比較突兀，結局象征著被救贖。

看過《雨果》後 了解了這位電影鼻祖Georges Méliès 1900年代的電影 真的很傳奇

氛圍很好，極簡對稱，嚴肅壓抑，複古端莊。最後居然是個愛情故事

獨具匠心。不愧是魔術師呀~

Look, people have, throughout history, have woken up in the dead of the night, confronted by blackness. The sense that our lives are without meaning. Men's great achievements have brought him to the place where life as we know it may cease in the foreseeable future. But the blackness, it's not. Whatever despair you feel about bringing a child into this world cannot equal the despair of taking a child from it.