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這真的是紀錄片嗎？？？後期的效果確定不是綜藝？？？都是一些狗比倒灶雞雞糟糟的事...整一個大無語。

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

最後一集看得好感動，可是結尾出現的打板鏡頭和“導演”名字讓我不禁產生了“這些台詞是他們真心想說的嗎？這些動人的畫麵是否帶有演的成分”的懷疑。

雖然隻是讀信，但收信人的心情始終在場，並不感受到有什麽鄉愁，反而是抵抗與冷酷，如同死神一樣審視城市和步履匆匆的行人，“五十年後莫說諸君，就連這雙子塔都將傾倒”的這種感覺

各種各樣的人，還是有好心人。