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演出了小說的精髓。張藝謀的《活著》相比較還隱晦些，而電視劇則大膽地把小說演出來。

他們明明可以說話 為啥非裝聾作啞

一口氣不來，去到哪裏安身立命？一口氣不來，去到山水間安身立命。

Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

應該是老舍的月牙兒罷。。