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花鐵幹那個道貌岸然的偽大俠，和血刀老祖這個沒羞沒臊的真惡人，都是塑造得極好的角色！而且這部劇的動作設計也很給力呀～

成長教育+猜火車。什麽攝像，太業餘了

The very distinct Agatha-Christine vibe permeating all through, every detail arranged in a subtle yet intentional way, no short of theatrical effects. The basic logic is presenting multiple POIs with obvious motives, and the killer always being the one who didn't show up much.

見好就收，導演不拍第3部，遺憾

不得不說這是我最喜歡的金庸劇，正是因為劇裏幾乎全是假醜惡才更能突出真善美的可貴。