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非常單純自然的影像，真是喜歡。配樂用的好。

The idea of applying psychological analysis into profiling has its limits; it doesn't help either that Holden is somehow vindicated by the profile of a young black man as the main perpetrator. Evidence-based approach is more reliable than presupposed biases, but racial profiling is still going to be an eyesore.

Cooper的笑容很迷人，然而最後決定生死的還是手握大權的法官。Purity is never power, all it can hope is for Power to listen. So then, what’s the point of fighting? (對Frank Capra的靈魂拷問）

mindfxxker丨芬奇的推鏡隻有兩個字：迷人，Fascinating。布光隻有兩個字：玄妙。丨trust with fear丨從E6開始變成拙劣的芬奇模仿作，機位水平高度，多機位位置，切換視角時機，zoomin zoomout速度都不對，再往後徹底放棄了

Deeds先生滑樓梯、吹口哨聽回音還有撓雕塑腳板都很可愛，最後的自辯也十分精彩！感覺後來James Stewart的名作“Mr. Smith Goes to Washington”就是此片的姐妹篇，但兩部的分數和觀影人數都差得有點多，我更喜歡Gary Cooper版的《鄉巴佬進城》