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瀆神、弑父、殺戮、貪婪、色欲、自私、嫉妒。今村昌平表現獸性真的太絕了。缺位的扭曲，壓抑到爆發，動物性驅動行為。偷窺、凝視、俯視、平視視角切換的語言好明顯，突然發現好像沒有仰視鏡頭。主角為中心盤香式往外遞減的人物關係，承擔的罪也在遞減。哇，好工整，好古典派噢！

真是莫名其妙的什麽鬼玩意！亮燈的海報不錯。潛水裝備不錯，無人機真高科技呀！

Challenge of the day: name a more memorable, instantly recognizable movie. I’d stake my bets with this. Though Steven Spielberg’s idea of cinema may not fulfill those who have tasted something more subtle & delicate, I still believe it deserves our attention and praise. Sure enough, he pours out the money and goes for the spectacular, thus making the experience of the thriller a simpler, more accessible affair to be shared by the many - if not too gratifying at times given the stakes. But is it at the cost of the story, dialogue, characters, or cinematography? Certainly not in Jaws. The trick is to build in different pieces & layers of meaning, each viewer pulling in his own haul of fish.

設定本來挺吸引人的，然後還是喜歡的偽紀錄片形式，結果驚嚇度不足，也沒有帶來沉浸感，全片唯一驚到我的竟然是一條🐟…女主陷入幻覺的那裏差點讓我退出，第一視角加上亂晃實在是太暈了，結果後麵還梅開二度…

75年的作品有這種水準，堪稱經典