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“你也是一個人嗎？吃塊小餅幹吧。”

每個故事都很治愈很溫暖！中國加油！

怎麽說呢。。。與當時的美國環境有關吧。。。

稱不上精彩，也絕不敷衍——攝製工藝在zf工作文件與藝術表達之間反複橫跳，大約八二開，看上去不像是單方麵支配，倒屬實印證了教員的三鬥觀點，是這樣的產物。稱奇的是，這藝術性的缺乏倒居然不拉跨，所附的貼近社會本身、貼近行為本能、貼近性格本質的那股子真腔兒實道兒，讓它成為國產電影在某個敘事主題上的起點，或者說又一個起點。觀影過半，我已確定二刷需求，剖析諸如“油水混合，Z商勾結”“培養拒水油”“持續學習，監控油品”“不明之前路，鬥爭得教訓，教訓立規矩”“劣幣驅逐良幣，良幣重歸市場”等主題。

I found myself hardly moved by films dealt with the past which was hardly happening on the screen. Therefore the grief has become overweighted; characters as walking dead. I was detached from the reality alongwith the emotions; consciously wondering the auteur’s consciousness. It deprived the power of its pure cinematic form for lacking of a story.