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丹澤爾的稱帝，少不了伊桑霍克的幫襯，從某種意義上說，我更喜歡這個從死亡詩社走出來的倔強警探

兩個意大利佬打造了經典的通心粉西部片。一顆子彈能解決的問題，絕對不浪費第二顆子彈，萊昂內的美學風格很東方也很西部，莫裏康內用音樂勾勒了想象中的西部應有的風貌，奠定了這類通心粉西部片的配樂基礎。

丹澤爾的表演讓我都信了阿倫佐

這種賀歲檔才接地氣嘛，雖然馮小剛的東西就很那個，但是還是給個好評

I thought it would tell such a story: one has to cross the line to the darker side in order to have the power to shed light again, but he or she will lose the true self in the process. Nevertheless, it turned out that the film was still promoting justice.