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Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.

拍的又長又臭，全片充斥著一種小成本惡趣味B級片的味道，結尾的罵街戰術更是無語=.=

不是科波拉最好的作品，節奏略微有些緩慢，好在韻味十足。完全從人物成長的視角來寫的律政片可能也不多見 。主線的庭審戲實在是精彩，副線的感情戲剛開始略顯狗血，但作為男主人物轉變的關鍵點還是能讓人接受。

也就……還行吧（我這雙眼睛看得太多.jpg）

那個女人，那副畫，讓我想到<海邊的卡夫卡>。 是你闖進了我的世界，卻嫌棄我太吵。不懂傾聽的人的確該死。 而最後海邊的女人問的What's in the box很難不讓我想到<七宗罪>:(