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好可愛的電影，氣息特別舒服。

已當正傳看:-D 笑點不太好了

畫麵是Chantel作為旁觀者冷靜的審視著紐約街頭地鐵裏麵的一切，仿佛自己根本不屬於那裏，有一種異鄉人的感覺。而她親切但又疏離的讀著母親的來信，溫暖焦急的書信和這種畫麵形成了鮮明的對比，而且拿掉了回信之後，讓這些碎碎念的家書變得讓人無法忍受，充滿焦慮，讓人窒息了。最後一個空鏡頭之中，曼哈頓就像一座孤島。

光憑第一集的配樂，我就愛死這劇了。整個為八十年代人量身定做啊！

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.