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能明顯看見兩種理念在相互掣肘，欲從個人體驗出發旁述時代，又對熟練且熱衷的奇觀營造難以舍棄，於是就產生了在商場內向下搖鏡捕捉動亂又迅速搖回室內的尷尬處理，這種故作沉穩的欲言又止充斥了全片，連最後的仰拍長鏡頭都令人焦灼難耐而回味盡失，前景人物-後景奇觀模式形成一種強迫症式回想，卻毫不見卡隆的感性瞬間，任何企圖從宏觀堆砌的高度還原曆史都隻能是捕風捉影，卡隆太清楚這些事卻又隻想用雙手捂著雙眼透過指縫從這些人中間擦身而過。

所以無辜的人是邁爾斯咯？

確實是很多科幻+奇幻類題材的鼻祖。

This is a very nice psychoanalysis text, and it also remind us that the dangerous of exposing oneself in a specific situation. The elements of Gothic horrible film always shows how unconscious worked : archetype projected to everywhere and appear in the image of ghost. Especially at that time woman are actually repressed in sexual aspects- as we all know, the more you repress, the more the unconscious is evoked.

眾生皆苦，各有各的不幸罷了。