這種動畫隻能屬於童年，現在來看隻能是毀了它..............

點子其實是不錯的，但是以一部電影來看這個故事太單薄了。而且建置的部分粗糙的莫名其妙，可以說概念高於故事，有些故弄玄虛了。

今 敏通過這部電影將蒙太奇玩到了出神入化，也再一次證明什麽叫作真正的動畫電影。最後那一段的高能剪輯完全就是一段教科書般的電影混剪，而本片又何止於炫技。這種一生隻愛一個人並不斷追尋本就讓人動容，而利用女優的身份不斷在千年時空中穿梭更是讓這份執念變得那樣熾烈和感人。電影同時擁有極強的代入感，觀眾即可以代入女主，也可以代入社長，都能獲得非同尋常的情感體驗，產生極為難得的內心共鳴。另外，今 敏電影的配樂都讓人印象深刻，光聽OST似乎都能獲得極大的滿足感或者產生多樣化的想象和思考。每每看今 敏的作品都不得不慨歎於其天才並哀歎於其早逝。唉～

4.5; Vivarium unfolds a shuddering picture of the modern atomisation and sterilisation of human life, designed to be a replica of nature yet is entirely isolated from nature. Its conscious depiction of the unknown and unknowable avian creatures observing, mimicking and studying human behaviours as though they were but subjects, manages to defamiliarise the quotidian modern life and enable the audience to see and live it in terror. Projecting itself as amplifications of day-to-day life, Vivarium is a frightening, disturbing piece that gives you the shivers; as a film it showcases how to create deeply horrifying experiences for the audience using minimalistic locale and personae. #Mayhem2019

茨威格《一個陌生女人來信》即視感