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是青春抵擋不住誘惑.還是青春本來就該充滿誘惑.

bell hooks,"ethnographic gaze","an outsider looking in","does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler,"camera itself is empowered as phallic instrument","the vehicle through which the transubstantiation occurs","an instrument and effect of lesbian desire","to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但說實話自己觀影時沒覺得這部的gaze有多problematic/patronizing，可能因為我本身就是一個凝視這個群體的外人。

題材是深刻的，但拍攝手法一般。

重看感覺看懂了。“鏡子”這個物理存在變成了可以折疊時間、空間、一切思緒的一種存在。坐在鏡子前看到自己-自己的記憶，模糊了它來自過去、現在或未來的界限。通過鏡子可以看到自己、親密的人、所有人；記憶在自己-親人-全世界的記憶裏任意采擷某個片段，自己與世界從未這樣緊密地聯係在一起。我甚至覺得，《降臨》的原故事也好似出自這裏）大概就是不用“看懂”，人的記憶本身就是迷宮

Real Bowie。伴隨一次次注射，眼神越發迷離。